Showing posts with label charro. Show all posts
Showing posts with label charro. Show all posts

Don Garron : a charro of many trades

Don Garron´s charro suit embroidered with his name on his tie
Don Garron wears many hats. First, he´s 100% charro. He is also a vet. He´s a chef of traditional Mexican food. He´s also a photographer.

The Art of the Escaramuza discovered Don Garron dishing out tacos at rodeo events around the capital city, dressed in his signature charro suit and being his warm, hearty self with his patrons.

Meet Don Garron in this short audiovisual made during an escaramuza fair in Mexico City where the escaramuza was born : El Rancho Charro, or the National Association of Charros.

For English subtitles, after clicking ¨play,¨then click the CC at the bottom right of the youtube window.

Saddlers - Traditional Leather Artisans

Saddle maker in Mexico CityThis saddle maker has been in the business for over 50 years, making saddles for escaramuza and charro teams alike. Alfonso Oviedo Perez learned from his father while growing up in Guanajuato, and has passed down his know-how to his son Juan.

"My dad started by making huarache sandles." 

The father and son can be found at a their workshop at Pedregal's charreria facilities in Mexico City, custom making every leather good known to charreria for both female and male riders across Mexico.  Not just saddles!


Watch this audiovisual where Alfonso and his son Juan tell their story.


For English subtitles, after clicking ¨play,¨then click the CC at the bottom right of the youtube window.

Contacts
Within Mexico : 55.5606.9593
From the US +52.55.5606.9593
Email : talabarteriaoviedo_df@hotmail.com

Mariana Rodea Rangel Pasante - Photographer


The Art of the EscaramuzaMariana Rodea Rangel Pasante is a budding photographer based in Toluca, Mexico. At the ripe age of four her grandparents introduced her to riding horses, and she went on to join her first escaramuza team as a teen. 

Rodea aspires for a career in documentary photography, starting with the subject of charreria. Her first pictures were of landscapes and product shots for advertising.

Rodea is finishing up her graphic design degree in 2013 at the Mexico State Autonomous University (Universidad Autonoma del Estado de Mexico) at the school's architecture college. 

Her thesis? Naturally, related to charreria and photography, titled : "Photographic abstract, cross country, the old fashion way at Buenavista Ranch, Villa Victoria."  

Rodea says her thesis takes an anthropological approach to the national sport, and concentrates on the sport outside the charro arena, which she got a close look at while living in the town of Villa Victoria near Toluca for 13 years.

"I'm an escaramuza rider because Mexico needs to bolster the female side of its traditions, of sacrifice, faith and courage, and fills us with pride."
 
Photograph by Mariana Rodea Rangel Pasante Above: The escaramuza team Las Peñitas de Villa del Carbón performs a second time during the Escaramuza Fair of Temoaya, in the state of Mexico, on Sept. 15, 2012. Instead of wearing their team's escaramuza uniform, they are wearin Apache Indian costumes, and mounted bareback. This style is not considered part of the escaramuza sport, but requires horse true horse riding skill and is usually a hit with the public.

Contacts:

Antonio Camacho - Founding Member of the Escaramuza


El Arte de la Escaramuza

Fotografía por Leslie Mazoch. El Arte de la Escaramuza,
Antonio Camacho in 2009

Not unlike most charros, Antonio Camacho Elorriaga was born into a charro family, but unlike others, destiny put him on the first escaramuza that ever was. That was back in 1953 in Mexico City's Rancho Charro.

Antonio rode alongside his sister Guadalupe, better known as "Coco," and his brother Jose. The three other kids were from the Ruiz Loredo family: Graciela, Maria Eugenia and Arturo.

The Rancho del Charro changed its name to the Nacional Association of  Charros, and is one of hundreds of charro associations, or private rodeo clubs, across Mexico. But this association has the historic privilege of being the birth site of today's female charro sport: the escaramuza.

Antonio continues to be an active member of his life-long rodeo club of charreria, Mexico's national sport.

The art of the escaramuza


60 Year Anniversary of the Escaramuza!


Don't miss this Escaramuza Fair celebrating the sport's 60th anniversary, hosted by the very charro association where the discipline was founded back in 1953! It's on April 20 at 12pm at the Rancho del Charro Javier Rojo Gomez in Mexico City.

This poster was created by Mexican graphic artist Emilio Garcia Salazar, whose work is available for sale. To get in touch with him, read our profile on Salazar's work.

Carlos Enrique Pascual Lopez - Escaramuza Promoter

Carlos Enrique Pascual Lopez helped the escaramuza to be accepted as an official charreria sport.
Carlos Pascual at La Metro rodeo club in Mexico City.            Photo by Leslie Mazoch

Carlos Enrique Pascual Lopez was "the one" escaramuza riders had been waiting for. He was in a position of power that could change everything.

Carlos Pascual was the president of the Mexican Charreria Federation, and the first such leader who agreed with them that their sport was just that, a sport, and part of charreria, Mexico's official sport since 1931. The year was 1991.

The voting council was, and continues to be, comprised of only the male members of the charreria rodeo clubs across the country. Pascual pushed his colleagues to vote on adding the escaramuza to the list of charreria sports.

Thirty-eight years had gone by since the first escaramuza, which evolved from horse riding lessons for six little kids, three girls and three boys, at the Rancho Charro in Mexico City, today known as the National Association of Charros rodeo club.

Carlos Enrique Pascual Lopez helped the escaramuza to be accepted as an official charreria sport.
Photo courtesy of Carlos Pascual, sitting at center. Also in the picture are Rafael Abaniano, second from left, and Carlos Sanchez Llaguno, second from right.

Pascual received a hallow death threat for pushing such an issue to a vote, but the council voted "yes." Since then, the women who ride on escaramuza teams are treated as athletes.

Escaramuza teams now compete at a very specific time during charreria rodeo events, instead of waiting on the sidelines for the men to finish their competition. The escaramuza teams enter the arena after "colas," or "tails," referring to the sport of knocking down a steer by twisting its tail, and their routines are limited to 12 minutes.

Carlos Enrique Pascual Lopez helped the escaramuza to be accepted as an official charreria sport.
Carlos Pascual at La Metro  rodeo club in Mexico City.            Photo by Leslie Mazoch
Pascual supported the integration of women in Mexico's traditionally male sport because, as he saw it, charreria was fading and sports like soccer were becoming more popular.

The inclusion of women was just one piece of his overall plan to revive his beloved sport. He also wanted children to compete. He wanted Mexico's youth at the arenas as well, joining the rest of the family.

The women who pushed their sport into charreria are many. In the 60s, 70s and 80s, they organized themselves and learned how to ride as a team, even though they couldn't officially compete and could not count on federation resources. Their persistence and whole hearted love for their sport is a lesson in persistence and going forward with what one loves no matter the obstacles.

Carlos Enrique Pascual Lopez helped the escaramuza to be accepted as an official charreria sport.
Carlos Pascual and his son Miguel at La Metro rodeo club in Mexico City.                    Photo by Leslie Mazoch

Watch a an audio-slide show about the story of the escaramuza
including  an interview with Carlos Pascual by photojournalist Leslie Mazoch.